Research Supervision
| Number of current supervisions |
5 |
| Total current UoN Masters EFTSL |
0.1 |
| Total current UoN PhD EFTSL |
1.3 |
For supervisions undertaken at an institution other that the University of Newcastle, details are shown in italics, and the institution name is listed below the program name.
Current Supervision
| Commenced |
Proposed
Completion |
Program |
Supervisor Type |
Research Title |
| 2012 |
2015 |
PhD (Music) |
Principal Supervisor |
The Polysynchronous Film Score: the Relationship Between Music and Image/Narrative in Contemporary Scores for Silent Film |
| 2011 |
2017 |
PhD (Music) |
Principal Supervisor |
Off-White: A Latterday Travesty |
| 2008 |
2016 |
PhD (Music) |
Co-Supervisor |
Symmetry and Symmetry Breaking in Musical Composition |
| 2008 |
2017 |
PhD (Music) |
Co-Supervisor |
Pragmatics of Intertextuality in Recorded Music |
| 2007 |
2011 |
M Philosophy (Music) |
Co-Supervisor |
The Relationship between Composition and Production in Real-time Software Environments |
Past Supervision
| Year |
Program |
Supervisor Type |
Research Title |
| 2009 |
M Creative Arts (Music) [R] |
Principal Supervisor |
Developing Twenty-First Century Art Music Repertoire |
| 2007 |
M Creative Arts (Music) [R] |
Sole Supervisor |
Developing a Composition Portfolio |
| 2007 |
M Creative Arts (Music) [R] |
Sole Supervisor |
Songs of Nature and Spirit: The Development of an Individual Approach to Choral Music Composition, With Reference to the Works of Four Important Australian Composers |
| 2004 |
M Creative Arts (Music) [R] |
Sole Supervisor |
Discovering a Personal Compositional Process |
