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Dr Hamish Ford

Work Phone (02) 4921 7821
Fax (02) 49821 6933
Email
Office GP2.25, General Purpose

Highlighted Publications

Year Citation Link
2008 Ford Hamish Charles, 'Difficult relations: Film studies and continental European philosophy', The Sage Handbook of Film Studies, SAGE, Thousand Oaks, 164-179 (2008) [B1] Nova
2002 FORD H C, 'The Radical Intimacy of Bergman', Senses of Cinema, November-December 2002 --Web (2002) [C1]
2006 FORD H C, 'The Cinema of Abbas Kiarostami, by Aberto Elena', Senses of Cinema, January-March 2006 --Web (2006) [C2]
2009 Ford Hamish Charles, 'The Silence', Senses of Cinema, 50 - (2009) [C2] Nova
2003 FORD H C, 'Antonioni’s L’avventura and Deleuze’s Time-Image', Senses of Cinema, July-August 2003 --Web (2003) [C1]
2009 Ford Hamish Charles, 'Andrei Roublev', Senses of Cinema, 53 - (2009) [C2] Nova
2009 Ford Hamish Charles, 'Screening the 'other' Deutschland', RealTime, - 23 (2009) [C2] Nova
2006 FORD H C, DAWKINS R, ''Film Theory'', The Year s Work in Critical and Cultural Theory, 14 323-335 (2006) [C1]
2007 Ford Hamish Charles, 'A new gaze via remote control', RealTime 1-3 (2007) [C2]
2010 FORD H C, 'Furious Agreement on Your ABC', ( pp.--Web). Melbourne (online): The Age, Fairfax Media (2010) [O1]
2010 FORD H C, 'WikiLeaks gives old media a shot in the arm', ( pp.--Web). Melbourne (online): The Age, Fairfax Media (2010) [O1]

Publications

For items published while at an institution other that the University of Newcastle, details are shown in italics.

Click on a category title below to expand the list of citations for that specific category.

Books (1 outputs)

Authored - Research (A1) (1 outputs)

Year Citation Link
2012 Ford Hamish Charles, Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time, Palgrave Macmillan, New York, 284 (2012) [A1]

Chapters In A Book (3 outputs)

Chapter in A1 Book (B1) (3 outputs)

Year Citation Link
2012 Ford Hamish Charles, 'From otherness 'over there' to virtual presence: Camp de Thiaroye - The Battle of Algiers - Hidden', Postcolonial Cinema Studies, Routledge, Abingdon, 63-77 (2012) [B1]
2011 Ford Hamish Charles, 'Broken glass by the road: Adorno and a cinema of negativity', New Takes in Film-Philosophy, Palgrave Macmillan, Basingstoke, 65-85 (2011) [B1]
2008 Ford Hamish Charles, 'Difficult relations: Film studies and continental European philosophy', The Sage Handbook of Film Studies, SAGE, Thousand Oaks, 164-179 (2008) [B1] Nova

Journal Articles (27 outputs)

Refereed Article in a Scholarly Journal (C1) (5 outputs)

Year Citation Link
2012 Ford Hamish Charles, 'Driving into the void: Kiarostami's 'Taste of Cherry'', Journal of Humanistics And Social Sciences, 1 1-27 (2012) [C1]
2011 Ford Hamish Charles, 'The return of 1960s modernist cinema', Studies in Australasian Cinema, 5 155-170 (2011) [C1]
2006 FORD H C, DAWKINS R, ''Film Theory'', The Year s Work in Critical and Cultural Theory, 14 323-335 (2006) [C1]
2003 FORD H C, 'Antonioni’s L’avventura and Deleuze’s Time-Image', Senses of Cinema, July-August 2003 --Web (2003) [C1]
2002 FORD H C, 'The Radical Intimacy of Bergman', Senses of Cinema, November-December 2002 --Web (2002) [C1]
Show 2 more

Non Refereed Article in a Scholarly Journal (C2) (21 outputs)

Year Citation Link
2012 Ford Hamish Charles, 'Challenging realism in the early 1960s films', Cinemascope Independent Film Journal - (2012) [C2]
2012 Ford Hamish Charles, 'Three Crowns of the Sailor', Senses of Cinema - (2012) [C2]
2010 Ford Hamish Charles, 'Rocco and his brothers', Senses of Cinema - (2010) [C2]
2009 Ford Hamish Charles, 'Andrei Roublev', Senses of Cinema, 53 - (2009) [C2] Nova
2009 Ford Hamish Charles, 'Screening the 'other' Deutschland', RealTime, - 23 (2009) [C2] Nova
2009 Ford Hamish Charles, 'The Silence', Senses of Cinema, 50 - (2009) [C2] Nova
2008 Ford Hamish Charles, 'Consistent pickings but few difficult pleasures (55th Sydney Film Festival)', Senses of Cinema, 48 1-9 (2008) [C2] Nova
2007 Ford Hamish Charles, 'A new gaze via remote control', RealTime 1-3 (2007) [C2]
2007 Ford Hamish Charles, 'A promising start to a rejuvenated festival: The 54th Sydney Film Festival 8-24 June 2007', Senses of Cinema 1-4 (2007) [C2]
2007 Ford Hamish Charles, 'Meditations and contradictions (Festival of German Films)', RealTime 1-4 (2007) [C2]
2007 Ford Hamish Charles, 'Paris nous appartient/Paris belongs to us', Senses of Cinema 1-4 (2007) [C2]
2007 Ford Hamish Charles, 'Sydney Film Festival's new face', RealTime 1-3 (2007) [C2]
2006 FORD H C, 'Disputed Models for Better Films', RealTime, April-May 2006 --- (2006) [C2]
2006 FORD H C, 'Hidden: a Film for our Time', RealTime, October-November 2006 18-18 (2006) [C2]
2006 FORD H C, 'The Cinema of Abbas Kiarostami, by Aberto Elena', Senses of Cinema, January-March 2006 --Web (2006) [C2]
2005 FORD H C, 'A Diminishing Vision', RealTime, October-November 2005 --- (2005) [C2]
2005 FORD H C, 'Face to Face with History: Downfall and Heimat 3', RealTime, April-May 2005 --- (2005) [C2]
2005 FORD H C, 'Some Gems in a Modest Program (52nd Sydney Film Festival)', Senses of Cinema, October-November 2005 --Web (2005) [C2]
2005 FORD H C, 'The Ister: Search for the Source', RealTime, December 2004-January 2005 --- (2005) [C2]
2004 FORD H C, 'Antonioni's Radical Space-Time', RealTime, June-July 2004 --- (2004) [C2]
2003 FORD H C, 'Summer with Monika', Senses of Cinema, March-April 2003 --Web (2003) [C2]
Show 18 more

Non Refereed Article in a Professional Journal (C3) (1 outputs)

Year Citation Link
2012 Ford Hamish Charles, 'The Lure of Antonioni: Italy's great film director remains as elusive as ever. Antonioni: Centenary Essays [Book Review]', Australian Book Review 34-35 (2012) [C3]

Review (4 outputs)

A Review of a Single Work (D3) (4 outputs)

Year Citation Link
2005 FORD H C, 'Pop-Baroque: Neo-baroque Aesthetics & Contemporary Entertainment, by Angela Ndalianis (2005) [D3]
2004 FORD H C, 'What Cinema Does: The Cinema Effect, by Sean Cubitt (2004) [D3]
2003 FORD H C, 'Making Venus (2003) [D3]
2003 FORD H C, 'The Magdalene Sisters (2003) [D3]
Show 1 more

Conference Publication (12 outputs)

Extract of Paper (E3) (12 outputs)

Year Citation Link
2010 Ford Hamish Charles, 'Driving into the void: Kiarostami's taste of cherry', Film Philosophy Conference 2010, Warwick, UK (2010) [E3]
2010 Ford Hamish Charles, 'Untimely 'pastness': The return of 1960s film modernism', FHAANZ Conference Programme, Sydney, NSW (2010) [E3]
2009 Ford Hamish Charles, 'Devastating temporality, 'becoming' and the post-human: Challenging Deleuze through Antonioni's L'eclisse', Second Annual Film and Philosophy Conference: Programme & Abstracts, Dundee, Scotland (2009) [E3]
2008 Ford Hamish Charles, 'Confronting Negativity: Cinema and Adorno', Philosophy and Film/Film and Philosophy Conference, Bristol, UK (2008) [E3]
2008 Ford Hamish Charles, 'Guilty Whiteness and its others - the impossibility of 'Liberation' in the Cinema of Rainer Werner Fassbinder', Re-Orienting Whiteness Conference, Melbourne, VIC (2008) [E3]
2008 Ford Hamish Charles, 'Untimely provocations, subjectivity and lived history in Peter Watkins' Reflexive Real', The Art of the Real: National Creative Non-Fiction Conference. Program, Newcastle, NSW (2008) [E3]
2007 Ford Hamish Charles, 'History, intimate crisis, and possibility in Fassbinder's In a Year with 13 Moons', Ta(l)king Pleasure in German Culture - Conference Abstracts, Kensington, NSW (2007) [E3]
2006 FORD H C, 'Another Look: The Withering Gaze of Bergman’s Modernism', The XIIIth Biennial Australian & New Zealand Film and History Association Conference: Programme & Abstracts, RMIT & Monash Universities, Melbourne, Australia (2006) [E3]
2005 FORD H C, 'Challenging Time: Deleuze and Last Year at Marienbad', Sensorium: Philosophy and Aesthetics conference: Programme & Abstracts, University of Melbourne, Australia (2005) [E3]
2005 FORD H C, 'Into the Void: the Dark Side of Kiarostami’s Taste of Cherry', Imagining Iran: A Symposium on Iranian Cinema: Programme & Abstracts, University of New South Wales (2005) [E3]
2002 FORD H C, 'The Time-Image and Antonioni’s L’avventura', Considering Deleuze Symposium: Programme & Abstracts, University of NSW, Australia (2002) [E3]
1999 FORD H C, 'Hitchcock and European Modernism', Hitchcock Centenary Conference: Programme & Abstracts, New York University, New York City (1999) [E3]
Show 9 more

Other Creative Works (1 outputs)

Catalogue (F2) (1 outputs)

Year Citation Link
2009 Ford Hamish Charles, Terrible clarity: Women at the centre in Bergman's Brink of Life, Madman Entertainment, Collingwood, Vic (2009) [F2]

Articles (13 outputs)

Newspaper Article (O1) (9 outputs)

Year Citation Link
2011 FORD H C, 'A Sorry Tale, this King's Speech', ( pp.--web). Sydney: ABC Online, The Drum Unleashed (2011) [O1]
2011 FORD H C, 'Our Orgy of Vanity over Libya', ( pp.--web). Sydney: ABC Drum Online (2011) [O1]
2011 FORD H C, 'The Greens should hang tough to prosper at democracy crunch-time', ( pp.--web). Sydney: On Line Opinion (2011) [O1]
2011 FORD H C, 'The King's Speech: It Doesn't Speak for Me', ( pp.--Web). London: Spiked online (2011) [O1]
2010 FORD H C, 'Avatar's left-wing agenda is a fallacy', ( pp.--Web). Melbourne (online): The Age, Fairfax Media (2010) [O1]
2010 FORD H C, 'Furious Agreement on Your ABC', ( pp.--Web). Melbourne (online): The Age, Fairfax Media (2010) [O1]
2010 FORD H C, 'Labor attack on Greens reveals entitlement thinking', ( pp.--Web). Melbourne (online): The Age, Fairfax Media (2010) [O1]
2010 FORD H C, 'Questions Hillary wasn't asked on her date with Australia', ( pp.--Web). Melbourne (online): The Age, Fairfax Media (2010) [O1]
2010 FORD H C, 'WikiLeaks gives old media a shot in the arm', ( pp.--Web). Melbourne (online): The Age, Fairfax Media (2010) [O1]
Show 6 more

Magazine Article (O2) (4 outputs)

Year Citation Link
2003 FORD H C, 'A Fragmenting Western World: the Geo-Politics of the Iraq War (Blitz Magazine)', ( pp.---). Randwick, Sydney: University of New South Wales Student Union (2003) [O2]
2000 FORD H C, 'The Changing Bouquet of our Century's Favourite Visual Feast', ( pp.---). Sydney: Funnel (2000) [O2]
1999 FORD H C, 'Millennial Anxiety and the Event-film: Deep Impact and The X-Files Movie', ( pp.---). Saturn Press, Sydney: Abbadon, Issue 2 (1999) [O2]
1998 FORD H C, 'Ulysses is Computer: The Dialectics of Science-fiction', ( pp.---). Saturn Press, Sydney: Abaddon Magazine, Issue 1 (1998) [O2]
Show 1 more