Dr Michael Dickinson
| Work Phone | (02) 4921 6397 |
|---|---|
| Fax | (02) 4921 8970 |
| Michael.Dickinson@newcastle.edu.au | |
| Office | D2-04, Design |
Research Supervision
| Number of current supervisions | 1 |
|---|---|
| Total current UoN PhD EFTSL | 0.25 |
For supervisions undertaken at an institution other that the University of Newcastle, details are shown in italics, and the institution name is listed below the program name.
Current Supervision
| Commenced | Proposed Completion |
Program | Supervisor Type | Research Title |
|---|---|---|---|---|
| 2012 | 2016 | PhD (Design) | Principal Supervisor | The Power of Drawing: Art for Health's Sake |
Past Supervision
| Year | Program | Supervisor Type | Research Title |
|---|---|---|---|
| 2012 | M Philosophy (Design) | Principal Supervisor | The Relevance of the Graphic Novel as a Form of Visual Communication |
| 2008 | M Design [R] | Sole Supervisor | Navigational System and Desktop Environment Design Within the Virtual Space |
| 2007 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Abby Farmer Does culture jamming affect brand equity?: Asocially responsible design perspective |
| 2007 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Clare Gleeson How does graphic design create change in society? |
| 2007 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Brooke Partridge How does the designer's unique identity affect the creative process? |
| 2007 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Emily Quail An investigation into developing environmental awarness through advertising campaigns in Australia |
| 2007 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Naomi Ross Graphic design within government advertising |
| 2007 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Kjetil Skaug The Muhammad cartoons: Understanding the controversy |
| 2007 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Mark Taggart Is typographic knowledge of any significance to a designer? |
| 2007 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Angela Vangelov Event design: An investigation into the relationship that exists between an event and its visual identity |
| 2007 |
Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Nicole Leary How does the relationship between the graphic designer and thier client affect the design process |
| 2006 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Alanna Jang The role of the graphic designer in defining corporate identity |
| 2006 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Louise Osborn Does design study reflect design practice? |
| 2006 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Selina Wegener How design is changing to remain relevant in today's increasingly fast paced international marketplace |
| 2006 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Peta Coulin Magazines: the role that design plays. |
| 2006 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Louis Shea Illustration and the digital revolution |
| 2006 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Felicity Moore Photography in the Digital Age: How good is a pixel anyway? |
| 2006 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Nicole Meikle, Illustration that draws fashion design |
| 2005 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | the Simpsons: Why is it so successful? |
| 2005 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Stuart Baumann Design: art or science? |
| 2005 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Christopher Sutherland Interactive Design: analysing interactive multimedia and its potential as a self-promotional medium. |
| 2005 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Ian Dowling Album cover design: the relationship between audio consumption and visual packaging. |
| 2005 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Rachel Symons The practical acquisition and application of knowledge in the design layout of posters. |
| 2005 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Victoria Jean Bell Good and bad design; a journey of self discovery as a designer |
| 2005 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Ruwandi Perera Digital mayhem; typography in graphic design today. |
| 2005 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Jenny Drayton Use of colour in graphic design: colour psychology, connotations and effects. |
| 2005 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Therese Olsen The muse within: discovering the design process as a tool for planned creativity. |
| 2005 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Peta Coulin Magazines: the role that design plays |
| 2005 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Anthony Healey, Exploring the design of an interactive website |
| 2004 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Rikki Gilbert Illustration and design: A study of examples of successful usage of illustration in answer to commercial design briefs |
| 2004 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Daniel Massey The future of album cover design: Why downloadable music will make the internet the new cover |
| 2004 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Lachlan Webb Rebels with a cause: The ethical struggle in design culture |
| 2004 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Adam Wilson Why are you telling me this: An investigation into what should be shown and said for a successful employment application in the Visual Communication Industry |
| 2004 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Michael Widgery Interface design and its interactivity |
| 2004 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Britt Katrin Voernes, Tuning in |
| 2004 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Shannon Harty What is cutting edge magazine design: A survey and analysis of the medium |
| 2004 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Matt Mckey Why is japanese animation apealling to Australian youths? |
| 2003 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Leigh Pasfield 2D animation, a time and a place: Exploring the music video and the appropriate utilisation of 2D animation within the industry |
| 2003 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Daniel Lynch Outlaw Art: Deconstructing Modern Graffiti |
| 2003 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Katrina Ryl Why use motion graphics instead of traditional graphic design?: An analysis from an industry perspective |
| 2003 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Jessica Mayhew An exploration of the impact on the film industry of stop-motion animation |
| 2003 | Honours Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Jenny Lui Historical and modern attitudes of animation: From its marginalised status to its rise of popularity |
| 2003 |
Graphic Arts & Design Studies University of Newcastle |
Co-Supervisor | Liam Hogan What are the implications of new technology for the graphic designer |