A/Prof. Pamela (
Pam
) Sinnott
Research Supervision
| Number of current supervisions |
5 |
| Total current UoN Masters EFTSL |
0.4 |
| Total current UoN PhD EFTSL |
1 |
For supervisions undertaken at an institution other that the University of Newcastle, details are shown in italics, and the institution name is listed below the program name.
Current Supervision
| Commenced |
Proposed
Completion |
Program |
Supervisor Type |
Research Title |
| 2010 |
2014 |
PhD (Fine Art) |
Principal Supervisor |
The Structure and Dynamics of Form |
| 2009 |
2014 |
M Philosophy (Fine Art) |
Co-Supervisor |
How can the Contemporary use of Sequential Art Increase the General Understanding of Gender Transition? |
| 2008 |
2012 |
M Philosophy (Fine Art) |
Principal Supervisor |
On the Edge |
| 2008 |
2014 |
PhD (Fine Art) |
Principal Supervisor |
The Representation of Migration, Transistion and Home |
| 2006 |
2014 |
PhD (Fine Art) |
Principal Supervisor |
Plexus: An Examination of Site in Relation to Form. |
Past Supervision
| Year |
Program |
Supervisor Type |
Research Title |
| 2011 |
PhD (Fine Art) |
Principal Supervisor |
Power, Passion and Pardon: The Importance of Graffiti and the Written Word in the Context of Those Who Have Suffered Through Injustice, Imprisonment and Discrimination in Poland During the World War II Period |
| 2010 |
PhD (Fine Art) |
Principal Supervisor |
Activating Gay Place: Contexts Associated with the Use of Ultraviolet Lighting and Fibre/Textiles in Immersive Installation |
| 2010 |
PhD (Fine Art) |
Co-Supervisor |
Public Art and Alternative Tactics in Post -Acquisitive Society |
| 2009 |
M Fine Art [R] |
Co-Supervisor |
Oceans Edge |
| 2008 |
M Fine Art [R] |
Principal Supervisor |
Outside Art |
| 2007 |
M Fine Art [R] |
Sole Supervisor |
Put a Lid on It: A Personal Exploration of Memory Loss |
| 2006 |
M Fine Art [R] |
Principal Supervisor |
The Dark Side of the White Crystal |
| 2005 |
M Fine Art [R] |
Sole Supervisor |
Clay Vessels of Potter Wasp and Other Mud Daubers: A Potter's Interpretation |
| 2002 |
M Fine Art [R] |
Principal Supervisor |
Memory and Landscape. An eclectic subconscious journey reflected in the symbolism of the cone |
| 2002 |
M Fine Art [R] |
Sole Supervisor |
Cornucopia: a celebration of food in contemporary Australia |
| 2002 |
M Fine Art [R] |
Principal Supervisor |
DRAWN THREADS: Placement and Skill as an Integral Part of Visual Expression with particular reference to Family Resonances |
| 2002 |
M Fine Art [R] |
Sole Supervisor |
A MAKER'S MARK: Texture, Semiotics and Iconographic Topography |
|
|
M Fine Art [R] |
Co-Supervisor |
SOCIAL CAPITAL and the domestic image |
|
|
M Fine Art [R] |
Co-Supervisor |
The Aesthetics of the Female Form |
