Dr Trevor Weekes
| Work Phone | (02) 4921 6371 |
|---|---|
| Fax | (02) 4921 8970 |
| Trevor.Weekes@newcastle.edu.au | |
| Office | D2.18, Design |
Research Supervision
| Number of current supervisions | 19 |
|---|---|
| Total current UoN Masters EFTSL | 4.7 |
| Total current UoN PhD EFTSL | 4.4 |
For supervisions undertaken at an institution other that the University of Newcastle, details are shown in italics, and the institution name is listed below the program name.
Current Supervision
| Commenced | Proposed Completion |
Program | Supervisor Type | Research Title |
|---|---|---|---|---|
| 2013 | 2015 | M Phil(Natural History Illust) | Principal Supervisor | Botanical Watercolour Paintings of Mangrove Species of Queensland |
| 2013 | 2015 | M Phil(Natural History Illust) | Principal Supervisor | Education is the Key to Reducing a Fear of Reptiles: Strategies for Harmonious Co-existence |
| 2013 | 2017 | PhD(Natural History Illustrat) | Principal Supervisor | Drawing, Drafting and Design as a Means for the Multilayered Interpretation of the Natural World |
| 2013 | 2014 | PhD(Natural History Illustrat) | Principal Supervisor | An Investigation into Images of Land, Sea, Sky and Cloud |
| 2013 | 2014 | PhD(Natural History Illustrat) | Principal Supervisor | Collecting identity: the PINcard game |
| 2012 | 2014 | M Phil(Natural History Illust) | Principal Supervisor | Christian Ritual and the Use of the Natural World as Liturgical Symbols Accompanied by a Body of Work Developing Australian Native Flora and Fauna as Christian Liturgical Symbols |
| 2012 | 2014 | M Phil(Natural History Illust) | Principal Supervisor | A study of the Flora and Fauna of the National Parks Authority Controlled and Managed Saltwater and Khappinghat Reserves |
| 2012 | 2014 | M Phil(Natural History Illust) | Principal Supervisor | Mycelia Obsession with Fungi: An Artist's Illustrative Appreciation of the Ephemeral Nature of Fungi Found at the Hunter Regional Botanic Gardens Heatherbrae NSW |
| 2012 | 2014 | M Phil(Natural History Illust) | Principal Supervisor | Reinterpreting the Poems from the Rhubaiyat of Omar Khayyam as an Illustrated Narrative Sequence Using the Habitats of the Hunter Valley and Australian Native Botanical and Zoological Specimens |
| 2012 | 2013 | PhD(Natural History Illustrat) | Co-Supervisor | Wild Visions: An Artistic Investigation into Animal Vision |
| 2012 | 2014 | PhD(Natural History Illustrat) | Principal Supervisor | A Visual Interpretation of the Effects of Light within the Natural World |
| 2012 | 2015 | PhD(Natural History Illustrat) | Principal Supervisor | The Art and Science of Botanical Illustration and Identification within Hornsby Shire |
| 2011 | 2013 | M Philosophy (Design) | Principal Supervisor | The Art of Science and Creativity - A Visual Interpretation of Bushland and Coastal Environments |
| 2011 | 2017 | PhD (Design) | Principal Supervisor | The Psychology of the Gaze |
| 2011 | 2014 | PhD (Design) | Co-Supervisor | Depicting Images: Amphibian Images Made into Illustrations as a Visually Descriptive Field Guide |
| 2010 | 2012 | M Philosophy (Fine Art) | Co-Supervisor | Painting Magic Realities Within a Chilean Migrant Context in Contemporary Australia |
| 2010 | 2013 | PhD (Design) | Co-Supervisor | In Motion: Illustrating the Moment of Motion: a Comparative Approach to Birds and Fish |
| 2009 | 2012 | M Philosophy (Design) | Co-Supervisor | Red Fox - A Visual Journey into the History of a Creature That is Both Revered and Reviled |
| 2009 | 2011 | PhD (Fine Art) | Principal Supervisor | Lotus Trace III - Cultual Hybrid Identity - A place to call home |
Past Supervision
| Year | Program | Supervisor Type | Research Title |
|---|---|---|---|
| 2013 | M Philosophy (Design) | Co-Supervisor | Mapping the Floral |
| 2012 | PhD (Design) | Principal Supervisor | D=EQ: A Triptych of Designed Objects, which Explore the Relationship between Theory and Practice |
| 2012 | PhD (Design) | Principal Supervisor | Elephant: Art and Science |
| 2011 | PhD (Design) | Principal Supervisor | An Analysis of Traditional and Digital Methods for Producing Three Dimensional Artworks |
| 2009 | PhD (Fine Art) | Principal Supervisor | Migration, Memory and Landscape: Recontextualising Personal Experience Through Contemporary Abstract Painting |
| 2008 | M Fine Art [R] | Sole Supervisor | Dialogue Between Flesh and Paint |
| 2008 | M Fine Art [R] | Co-Supervisor | Beneath the Skin |
| 2008 | PhD (Fine Art) | Principal Supervisor | A Charting of Memory, Interior Space and the Ship |
| 2007 | PhD (Fine Art) | Co-Supervisor | Constructing the Eclectic Biblioth¿que |
| 2006 | M Fine Art [R] | Principal Supervisor | Modern Mythmaking in Contemporary Narrative Sculpture |
| 2006 | M Fine Art [R] | Sole Supervisor | A journey through the suburbs |
| 2006 | Masters Fine Arts University of Newcastle |
Principal Supervisor | Art and the Automobile |
| 2006 | Masters Fine Arts University of Newcastle |
Sole Supervisor | Painting Architecture |
| 2006 | PhD (Fine Art) | Sole Supervisor | Painting Music: An investigation and creation of 2D works based on colour and music through the establishment of a unique colour coding system |
| 2006 | PhD (Design) | Principal Supervisor | Investigation of the Structural Anatomy of Birds and Analysis of its Influence on the External Design, in Order to Develop the Methodology of a Constructive Approach to Drawing Birds |
| 2005 | PhD (Fine Art) | Principal Supervisor | The New Eugenics: Perfection, Patents and Profits |
| 2005 | PhD (Fine Art) | Sole Supervisor | The Contained Space |
| 2004 | M Fine Art [R] | Principal Supervisor | Fantasy in Narrative Painting |
| 2004 | M Fine Art [R] | Sole Supervisor | Circling The Square |
| 2004 | Masters Fine Arts University of Newcastle |
Sole Supervisor | Fantasy in Narrative Painting |
| 2002 | M Fine Art [R] | Principal Supervisor | SAGAS - a visual interpretation of the runes |